20 Kanoon I 6754
|
Volume X |
Issue 50 |
10 December 2004
|
Z I N D A M A G A Z I N E
Fax 1-415-358-4778 | zcrew@zindamagazine.com |
Assyrian Musician & Composer Sodertalje, Sweden
|
The January 2005 Elections in Iraq | Fred Aprim | ||
Iraq’s Christians Rely on Expatriate Votes | |||
Dr. Arsan Presents Assyrian Case at European Parliament |
|||
D.C. Conference: "Religious Freedom in Secular Turkey" |
|
||
Attacks against Churches in Iraq | George Haddad | ||
Elias Zazi | Ninos Maraha |
Dr. Arsan Presents Assyrian Case at European Parliament (ZNDA: Amsterdam) Dr. Matay Arsan, a regular contributor to the pages of this publication and a prominent Assyrian activist in Europe presented the Assyrian case on behalf of the Assyrian Academic Society at the European Parliament. The attendees to the special conference discussed the potential accession of Turkey to the European Community.
Entitled "The EU, Turkey and the Kurds", the conference was jointly sponsored by the the Rafto Foundation, the Kurdish Human Rights Project and Medico International and held in Brussels, between 22-23 November 2004. The conference presented empirical and analytical reports with conclusions and recommendations on relevant areas such as judicial reform, democratic and parliamentary reform, cultural rights, language rights, freedom of expression, compensation for internally displaced persons, rights for displaced persons to return to their villages etc. • The conference’s findings will be published and presented to the European Commission for its consideration and comments. • The conference further discussed a suggestion to establish a European Civic Commission to monitor EU and Turkish compliance with the accession criteria. Late this month, the European Union (EU) will decide if Turkey is granted a specific date to begin discussions on its accession to EU. At the end of the conference a resolution was prepared and sent to all European parliamentarians, governments and relevant commissions. The Assyrian Christians are mentioned in a special paragraph in the introduction to highlight their presence and future progress in Turkey. |
Institute on Religion and Public Policy
Washington D.C.- The Institute on Religion and Public Policy is pleased to
announce the convening of a conference entitled “Religious Freedom in
Secular Turkey: The EU Effect.” The half-day conference will take place in In light of the upcoming European Summit on December 17th, the Institute is
in the unique position to hold an open forum, discussing issues of religion,
citizenship, and democracy in modern Turkey before EU accession negotiations Preliminary Conference Agenda
Attacks against Churches in Iraq George Haddad During a few weeks only, a third wave of outrageous bombing of Christian churches occurred in Iraq. These bombings of the churches were a disgrace and they cannot be justified with any formative elucidations. These bombings can be considered as an open political manipulation of the events. The perpetrators are not a marginalized reactionary or radical group; they are key players in the Iraqi scene. This group has strategies and goals that pertain to the structural historical formula and cultural identity for both the Iraqi government and the Iraqi people. From the viewpoint of Iraqi nationalism, Arab nationalism and the viewpoint of scrupulous Islamism, I am going to present to you the following remarks 1. The Iraqi Christians did not welcome the American occupation; on the contrary, they confirmed their nationalism and their adherence to Arabism without relinquishing their Christianity. 2. The Iraqi Christians were always a genuine part of Mesopotamian culture and were loyal to the Iraqi government. Their Christianity was not imposed from the outside; it is undoubtedly oriental. 3. Historically, Iraqi Christians were always an operative element in the establishment of the Arab-Islamic Empire. They contributed a lot to the Islamic culture as they translated many books from Greek and Indian into Arabic. There were also many Christian doctors and philosophers in Iraq. Hence, one cannot separate between the historical cultural role of the Christians in Iraq and the Arab-Islamic culture. 4. The attacks against the churches in Iraq remind us of what happened to the Iraqi Jews after the establishment of the state of Israel. International Zionism, the U.S. and Britain were surprised to see that Iraqi Jews did not respond to the Zionist call to immigrate to Israel. The underground organizations and the Zionist apparatuses in collaboration with the Iraqi monarchy at that time started to organize a wave of explosions and attacks against the Iraqi Jews in order to drive them to flee Iraq. This is exactly what drove the Iraqi Jews to go to Israel. After discussing these very important remarks one must ask: who are the people behind the attacks on the Christian churches and who is supporting them? Perhaps the first and easiest accusation is directed towards the Islamic radical groups. However, if we look at these crimes from a criminal investigation point of view, and ask who is benefiting from these attacks, it would not be difficult to discover that the American occupation, international Zionism and Israel get the real benefits from such attacks. No matter how much the Americans, the Israelis and the Zionists delved into their conspiracies and crimes, and even if the succeeded to a certain extent in "Lebanonizing" Iraq, their general efforts in doing so will not succeed - history is not on their side.
Elias Zazi Ninos Maraha New Year’s Eve might not be the best time for an interview, yet it is here that I meet a relaxed and smiling Elias Zazi. The smile that so perfectly characterizes this man. Elias always carries this smile on his face and has a quick-witted reply up his sleeve. Our meeting place is Wayne’s Coffee, a cozy cafeteria in Sodertalje [Sweden] owned by Elias' famous brother, the singer Aboud Zazi. We sit in the smoking section on the upper floor, but it is not because of Elias that we sit there. In the early 80’s Elias was known as the "tea-drinking DJ". To me Elias has always been Aboud Zazi’s humorous brother, a piano teacher to my little sister, and a DJ a the Assyrian parties. I always knew how good of a musician Elias is, but not to the extent that I know now. I became aware of that in November of last year on that historical day when his string quartet, String Quartet in e Minor", performed for the first time ever at the Orchestra Hall in Sodertalje. It was a big day for Elias Zazi, but a bigger one for the Assyrian people.
Elias had been working with his string quartet for a long time and had no time to become nervous before the concert. He honestly admits that he was shaking in his entire body while the string quartet was performing. It was very relieving when people, both Assyrian and Swedes, congratulated him on the achievement of composing beautiful western classical music and also be the first Assyrian to achieve this. Elias Zazi, Assyrian musician, composer and musical critic. Photo by Moussa Esa for Hujådå Magazine "The best thing was that many Assyrians recognized something Assyrian in my string quartet. The oriental influences came directly from my heart, nothing that I thought about," Elias says and adds that he became very proud when some Assyrians told him that this was huge and that they couldn’t see how huge it was, because that would be something for the future to tell. Elias Zazi was born in Lebanon in 1964, moved with his family to Sweden in1976, and since 1979 has been living in the “Europe’s Assyrian capital”; Sodertalje. As a person he is very open and humble, with a big heart for his people. The western music struck his fancy early and in 1983 he won the competition “Stockholm's No. 1 DJ”. When he got married he realized it would be a problem combining family life with late DJ-nights. Instead he began to study the oriental music and its endless number of scales. "At home I have concluded a list with approximately 100 oriental scales," Elias says and explains that many times only 2 or 3 of these scales are used in the Assyrian folk music, while those which make up the Assyrian pop songs use 3 or 4 different music scales that don’t include quarter tones. The interest for the oriental music made him produce the Assyrian musical "The Dreamer Sonata", which had its première in 1996. Then Elias began to put more focus on western classical music and began listening to the famous composers’ music. After a while he realized that they were not that good. This is when the Swedish radio channel of classical music, P2, made its entrance in his life: "Since P2 presents the composer after the music is played, I could conclude a list of the music that I liked, without having any preconceived notions about the composers," Elias says and lists his favorites: Beethoven, Brahms, Tjajkovskij, Dvorak, and Fauré. The growing interest for classical music made Elias to dive deeper in his musical studies. He took 30 lessons with the music teacher John Lidstrom, and as soon as the string quartet was complete he visited Professor Lars-Erik Rosell at the Composers Program at the Royal Institute College of Music in Stockholm. He asked the professor if his string quartet had any shortcomings. The string quartet was in fact fully approved and according to the professor it could be performing in all levels. And it did. Elias got very good reviews in the newspapers and the Chairman of the Chamber Music Association in Sodertalje said that “this proves that one still can compose modern art music that is beautiful to listen to”. Elias wishes to erase the myth that you have to learn to listen to the classical music in order to like it. He makes a comparison with art to explain what he means.
We continue to talk about music and after a few cups of coffee and cigarettes (for me), we enter into the field of Assyrian music, which today is a mix of folk music and pop. Elias thinks that our music is primitive and that we need to develop it:
"It’s bad if we continue to step on the same spot, but if we put some classical music into the Assyrian music, it will stand on a better ground. Unlike the pop music, you don’t easily become bored listening to classical music, because it has several pieces and has a lot to explore. The folk music is in our blood and will therefore last, but if we take a theme from it and put it in the classical music and develop it, we could develop our music in many perspectives. This is what I tried to do when I produced my string quartet. The music comes natural for Elias and at the same time he has been very ambitious and has studied hard - both the oriental and the western music. He grew up with the music of Wadi Al Safi and the Rahbani brothers (famous Lebanese singer Fairouz’s husband and brother in-law), from which he gets his inspiration. Another part of his inspiration he takes from the Assyrian church music and western classical music.
When it comes to Assyrian music Elias wants to point out Ninib A Lahdo’s music, Habib Mousa’s earlier stuff, and Aboud Zazi, whom he agrees has very nice voice. Elias tells me that he can hear our original tones in the music of many other countries: "When I listen to Wadi Al Safi, Turkish or Iraqi music I can feel that it originates from our music, since they have the quarter tone of the Syrian-Orthodox music. The music from northern Africa also reminds me of our church music, however the Egyptian does not." To Elias it is important to promote his Assyrian nationality and create publicity for his people with the help of his music. He loves his people and longs for the day when he becomes well known in the world, and proudly express his origin and the several thousand years of cultural heritage that his people carry on. With a twinkle in his eyes he tells me that it was thanks to his grandfather’s heavy ears that he got his love for the Assyrian language and cultural heritage, because his grandfather didn’t let him and his brothers and sisters speak Arabic at home. Today, Elias is a celebrity in Sodertalje where he works as a laboratory technician in AstraZeneca, and devotes his spare time reviewing music concerts for the LT, a Sodertalje newspaper. "It all started one day when I called the newspaper and told them that I had been living here for 20 years but never read anything about Assyrian music," Elias says. The editorial staff answered that they had no knowledge of the Assyrian music. Elias immediately offered his services and wrote a large article about the Assyrian music history, which they published. When they discovered his deep knowledge in the classical and oriental music and his writing skill in writing, they began to cooperate with him, and soon he was reviewing music for them: "As an Assyrian music critic, it has been an honor to write about music celebrities such as Gideon Kremer, one the best violinist in the world; the famous conductor, Esa-Pekka Salonen, the soprano Barbara Hendricks, the pianists Hans Leygraf, and Roland Pöntinen; the choir conductor, Eric Ericsson; mixed with oriental stars such as Ibrahim Tatlises, Coscun Sabah, Janan Sawa, and Ashur Bet-Sargis. [Zinda: Mr. Zazi's CD's are available in USA through the Assyrian Academic Society (click here). |
|
|
||
Thank You The following individuals contributed in the preparation of this week's issue: |
||
|
||
ZINDA Magazine is published every Tuesday and Friday. Views expressed in ZINDA do not necessarily represent those of the ZINDA editors, or any of our associated staff. This publication reserves the right, at its sole discretion, not to publish comments or articles previously printed in or submitted to other journals. ZINDA reserves the right to publish and republish your submission in any form or medium. All letters and messages require the name(s) of sender and/or author. All messages published in the SURFS UP! section must be in 500 words or less and bear the name of the author(s). Distribution of material featured in ZINDA is not restricted, but permission from ZINDA is required. This service is meant for the exchange of information, analyses and news. Any material published in Zinda Magazine will not be removed later at the request of the sender. For free subscription to Zinda Magazine, send e-mail with your name, address, telephone number to: zcrew@zindamagazine.com. |
||
Zinda Magazine Copyright © Zinda Inc., 1994-2004 - All Rights Reserved - http://www.zindamagazine.com |